This web
page is a single long hypertext / digital scroll.
Each of the
headings below offers a direct link to the corresponding section of text.
All sections
end with a “back to contents” link to the list below, as well as a “back to top”
link to the logo above (a photograph of the actual sign above my studio, with my current cell phone number and my most
reliable email address, for your connecting convenience).
Welcome!
Dear Literate Surfers,
Welcome to my new web page. Here I present the definitive volume of information about me and the services I offer care of my studio at the Flying Monkey Arts Center within Lowe Mill Arts & Entertainment. Now an established safe haven for creative writing, with a number of member writers sustaining the process of manifesting their textual visions, I invite you to join us at The Literate Evolutions Co-operative Unlimited.
Essentially, as a writing guide, I believe three things, and these underpin how I work with other writers.
First, if the love of money is the root of all evil, then the love of the customer is the source of all profit. Without artifice I provide a service for a fee. However, my creativity and my spirituality are one and the same, and I strive to practice my profession with both enthusiasm and sensitivity, fully aware of the enormous privilege and responsibility entrusted to me whenever anyone shares with me his/her creative dreams (especially if they have been set aside for a very long time). My own journey to believe in my creative calling still challenges me in ways both dangerous and dramatic, and as such I do offer supportive experience between the lines. This is why I do not call myself a teacher, rather I offer my services as a guide to a process. Just like any guide through any untamed landscape we walk the same path. Everything I suggest for others to do in my workshops I do as well. If I am reviewing your work then you are reviewing mine. If you are engaged in a timed writing exercise then I am too. My methods are consensual, not pedagogic, and after twenty years of guiding others I still feel I have so much to discover. As the old adage goes, “you teach what you most need to learn.”
Second, if you can read you can write, but if you write you need to be read, and it is essential to be read by other writers. [This idea is explored in detail in my published learning method Literate Evolutions – adobe.pdf copies available upon request.] Almost all of those with whom I work grow in skill and confidence. A few have been unwilling to make the commitment to engage in a consensual process … out of arrogance, a need for control, misanthropic anger, desperately low self-esteem … but always downright fear. To faithfully leap into the process and reveal one's real skill and real passion, and then to allow oneself the welcome of genuine creative nourishment, the validation of being heard … well, such reciprocity requires great courage. Paradoxically the true cost is being willing to listen to others, and to reply to their skill and passion with the same sensitivity and consideration as one wishes to receive.
Third, I cannot achieve the next stage of my development as a writer in aesthetic isolation. I need regular vital contact with other creative souls daily. I relish working with other writers, to be aware of their projects, their setbacks and triumphs, in order to believe in my own. The opportunities that I feel opening inside my process as a writer and in my community as a guide are tremendously exciting, and I do very much wish to share this thrill with others who enjoy the quest for eloquence and all the treasures such an adventure conveys. I feel alive with promise, and truly grateful. It is in this spirit that I open my safe haven for creative writing.
Accordingly I invite you all to the historic Lowe Mill any Saturday, from noon to 4pm, when the Flying Monkey Arts Center provides a regular Artists’ Market for local creative vendors to share their wares, and during which I host TLECU’s Open Studio – unstructured time for me to reach out to this community and welcome curious scribblers with a cup of coffee or tea, a cookie or two, and an uncommon love for our mother tongue.
Thank you for your interest in The Literate Evolutions Co-operative Unlimited. I hope to see you soon!
Flow well,
David Allen Lambert
“Follow your bliss and doors will open where there were no doors before.”
Joseph Campbell
Contact Information
The Literate
Evolutions Co-operative Unlimited
“A safe haven for creative writing.”
(open
Monday – Friday 4 pm – 10 pm, and Saturday 12 noon – 6 pm, closed Sunday)
@
Studio 254, Flying Monkey Arts, 2nd Floor, Lowe Mill, 2211 Seminole Drive, Huntsville, Alabama, 35805, USA
c/o
David Allen Lambert
(poet ~ artist ~ guide ~ author)
email: dal.tlecu@gmail.com
phone / voicemail / text: 256-653-8099
web: www.lowemill.net/davidlambert.html
Front Of
Studio
For those of you physically and geographically able to visit The Literate Evolutions Co-operative Unlimited in person, please allow me draw your attention to a few practical elements on the front of the studio.
On the gate you'll find a number of small details. To the right and below the opening times I show whether or not I am "In Session." If this sign is visible, please do not disturb – we are working, either in a group or 1-to-1, and writers are so prone to distraction. Additionally there is a small wire-bound notebook with a simple pen on a string for leaving messages, and I have on occasion returned to the studio to discover original poetry scribbled on these tiny sheets. To the left of pad and pen I offer a Memento Vivo, a short-run self-publication renewed monthly offering an entire poem, play, or prose piece on single signed 3" by 5" note card. I create only 10 of each, number them like fine art prints, and give them away as free samples of my work. Below these gifts an envelope holds my big-print business card with all my contact details and my small-print business schedule with all necessary workshop information. These are also free and again I would be grateful if you were to pass these along to interested parties. Finally, the bottom third of the gate advertises texts “Available In Print” from TLECU associated writers only. Again, help yourself to any such promotional material, and if you do purchase the volume let the author know where you discovered his/her work!
On the schedule board you'll notice for each workshop I display the number of available seats. Members do come and go, for a variety of reasons, but my job is providing continuity via the workshop rhythm despite changing membership. Eventually I envision all the workshops full of long-term vibrant members ushering in an Alabama literary phenomenon. We're not there, yet. Also, at the bottom of the board, two areas are set aside to present posters for “Upcoming Events” and flyers announcing “Imminent Publications”. If multiple copies are displayed you are positively encouraged to take a poster and/or a flyer and to spread the word!
On the sign you'll note, "If you can read you can write, but if you write you need to be read. This, the core of my consensual learning method, is how we evolve." I display this sentiment so prominently because I believe it, and for twenty years I've witnessed the truth of it in the lives of a diverse range of emergent writers. If you feel called to write you literally have no reason to be alone.
Mission Statement
My mission is to ensure that The Literate Evolutions Co-operative Unlimited thrives as a safe haven for creative writing – for myself, for my clients, and for the aesthetic community under the auspices of the Flying Monkey Arts Center and Lowe Mill Arts & Entertainment. Practically this means drama works best in written form and is not a welcome medium of exchange within TLECU as a whole.
My prerequisites, when meeting prospective members or private clients, are that you be at least sixteen years of age, a creative writer, and not a narcissistic vampire.
The age requirement corresponds both to the insurance policy for the Flying Monkey Arts Center as the minimum age for youths to be unsupervised, and to the Alabama age of consent. Much creative writing explores sexual and other adult themes, so it is important that members not feel inhibited by the presence of vulnerable ears. This age limit is non-negotiable.
What unites creative writers is that the universal goal of their individually inspired quests is simply the imaginative quality of the writing itself, the belief that good words will find their own market. Such aesthetic practice is in stark contrast to writing that seeks a self-serving cultural reflection (like publications written expressly for academic tenure, or proselytizations of a particular religious belief, or journalistic posturing, or advocacy of any political agenda). With creative writing, as opposed to deliberate cultural production, a necessary selflessness is part of the process, and the journey remains a mystery. In such company the usual social facades fade, the veil lifts, and we share our selves without certainty as we explore a common encounter with the unknown. To follow your bliss as a creative writer is constantly push the event horizon of creation across the void. Only those who do not take themselves too seriously are seriously enjoyable travel companions in such wyrd territory.
Julia Cameron in The Artist’s Way calls narcissistic vampires “crazy makers.” If a writer seeks to join such an enterprise like TLECU to further only her/his own reflections, then the consensual learning method employed won't work, and the workshops suffer from such selfish preoccupations. Additionally if a writer is only masquerading as an individual seeking solace in the company of other creatives, but in reality only sows discord to feed off intrigue and/or intensity, I am quite willing to reimburse any outstanding prepaid balance and ask him/her to leave us be.
Please do not mistake my kindness for weakness. My sensitivity to the types of approaches writers employ – positive and negative, collaborative and isolating, creative and destructive – is a direct result of a past burdened by many character defects, and a present recovery that acknowledges my vulnerability to such old games. Given the cost of indulging such self-defeating agendas in either myself or others, I take commensurate steps to protect myself and my business from damaging influences. Curiously, it is hardest to discern the true countenance under the masking behaviors when mixed characteristics are in play, and this is a surprisingly common combination for individuals called to the world of letters.
What underscores this mission is my own journey of return. My second book Escape To Reality (written and published in England for MIND – the largest mental health charity in the UK) presents five stories of mental illness and real recovery, and my story is the fifth. It is neither useful nor appropriate to list or label in this context the challenges with which I have come to terms, except to say I continue to work vigilantly not to regress into varying states of disability, and my strongest therapeutic resource is my writing, but only when a work is open and unfolding on the table. When writing is just an idea I'm suffering. When writing is an action I'm surfing new horizons and wondering how I could ever so confine my dreams. It is in this spirit that I work with others as well, for shared writing time is most therapeutic when we share common textual goals while respecting and valuing our distinct learning roles. In such respectful dialogues this safe haven becomes a creative space for dynamic change, and our writing flourishes. Nothing else is good enough. This is the bliss I follow utterly, heart and soul, the door that opened for me where there were no doors before, and the gate of which I am now the faithful keeper.
Creative Writing Workshops
Weekly Creative
Writing Workshops Now Available
(utilizing three original and integrated writing systems)
LITERATE EVOLUTIONS
(my published cyclical method exploring the essentials of creative writing)
Mondays 6pm – 8pm
&
Tuesdays 6 pm – 8 pm
LIFE DREAMS ~
NARRATIVE ALCHEMY
(a year-long course for writing feature-length screenplays)
Wednesdays 6 pm – 8 pm
LITERATE EVOLUTIONS ~
LIFE DREAMS
(my published method applied to realize long-term book-length creative writing projects)
Thursdays 6:30 pm –
8:30 pm
NARRATIVE ALCHEMY
(free sensational playtesting of my adventurous and original role-playing game)
middle Fridays 6 pm – 9 pm only
[No play on first and last Fridays of each month due to recurring commitments.]
+
TLECU Open Studio
(community outreach time during Flying Monkey Arts Center’s Saturday Artists’ Market)
Saturdays 12 noon – 4
pm
I offer workshops that are suitable to any writer on Monday and Tuesday evenings, from 6pm to 8pm, using my original, tried and tested, published group learning method for writers. Both of these groups are thriving and have a few places available. All skill levels and styles are welcome, but the minimum age for workshop membership is strictly sixteen. I keep group size limited to seven (six plus myself) so that we all get a chance to be fully involved. Wednesday evenings, also from 6pm to 8pm, we are really enjoying my annual screen-writing workshop, where each participant writes edits and prepares a feature-length screenplay to submit for professional production in twelve months, and one member already has a film option for an adaptation of one of his previously published books. Thursday evenings, from 6:30pm to 8:30pm, I offer a workshop designed to help members finish major book-length creative writing projects, whatever that project might be, and it curiously focuses on the basics of how to write everyday and how to sustain one's enthusiasm through all the various stages of achieving a substantial professional publishing goal.
For any one of these four workshops the price is $20 per session payable in advance monthly with an additional 1-to-1 session also charged at $20 to give us both a chance to offer feedback and help individual members focus clearly on personal project deadlines. This averages out to about $100 per month. However the first session is a 1-to-1 privately to see if we can and indeed even wish to work together, a chance for a prospective client and me to meet and explore what we hope to bring to the table. This session is offered free without obligation or expectation in either direction. If we both feel our aims align and we are willing to work together then I invite the prospective member to attend a single session of the particular workshop we feel fits best. This first group session is also free and also offered without obligation or expectation, because I've already made a commitment to the established members of the group and they need to have the opportunity to see if they would like to work with any prospective member as well. Almost always if I feel ready to work with someone the group does too, but I still honor this second free session out of respect for the group process. If no tension emerges after meeting the group then we sit down and create an invoice to begin the process of formal membership. The invoice and thus group membership is reassessed and renewed on a monthly basis.
Additionally, for free, on Friday evenings from 6pm to 9pm, I offer an opportunity to playtest my narrative generating table-top role-playing game. I do this for free because it's an opportunity to both play and to develop the rules into a coherent and publishable form. Due to recurring commitments I only offer this workshop on middle Fridays. No play occurs on either the first or last Friday of each month.
Finally, on Saturdays, from 12 noon to 4pm, I host The Literate Evolutions Co-operative Unlimited "Open House" to give interested parties a chance to find my studio and meet me in a casual context. Tea and coffee, mixed nuts and cookies are usually available (donations for future nibbles welcome), and often members of the various groups tend to stop by on Saturdays just to hang out. The Flying Monkey Arts Center on the second floor of Lowe Mill (where my studio is located) hosts an Artists' Market on Saturdays from 12 noon to 4 pm for local creative vendors to set up a table in the long hallways and sell their wares. It is usually very busy with a festive atmosphere, including other activities arranged to coincide. Most of the Flying Monkey community members open their studios during the market, and many of the Lowe Mill's other artists' spaces welcome visitors during this time.
If none of these workshop times suit I am also available on a 1-to-1 basis to privately guide writers through individual projects, but for this type of work I charge $20 an hour.
For interested parties the best way to begin involvement in TLECU writing activities is to visit one Saturday and introduce yourself, or to give me a call and arrange the first free 1-to-1. Those contacting me by email will be invited to make the same gestures to show genuine interest.
Monthly Literary Performances
MONKEY SPEAK
(Monthly Open Mic – Mature Audiences Only)
First Fridays only 8:00pm – late
Admission $5.00
Do you have something to say? Would you like to support those who do? If you enjoy original creative language then MONKEY SPEAK, Huntsville's most exciting open mic, is for you. Here anyone sixteen years or older can read, perform, or improvise poetry, drama, or prose, or deliver any variation of the spoken word. On the first Friday of every month we gather at 8:00pm in the Flying Monkey theater at the historic Lowe Mill to celebrate and indulge in unbridled utterances. The minimum age for attendance ensures this is an adult venue where performers are not vetted in any way, and anyone who attends is welcome to share.
As a member of Flying Monkey Arts I am honored to be the regular MONKEY SPEAK MC, and I have the pleasure of opening and closing the stage. In between however we do things in a special way at MONKEY SPEAK. The stage itself calls each performer to perform. If the stage is empty, and a performer or audience member wishes to step up and speak out, anyone in attendance is encouraged to do so. The evening progresses until all who would like to share have expressed themselves, and individuals are welcome to take the stage more than once. Every month I endeavor to perform a mixture of my own previously published texts and entirely new drafts, while opening and closing the stage with samples of other writers’ work.
To those who attend with something to say, we celebrate your courage to share your voice!
To those who attend to hear monkeys who speak, we need your support and appreciate your listening!
To those regular Monkey Speakers who attend month to month, moon to moon, thank you all for being here before me and making this venue viable!
It’s important to note that no one who performs benefits financially in any way. In fact, Flying Monkey Arts has given so much to make MONKEY SPEAK possible, and keep it alive over the years, that my hope is our audience will grow to repay Flying Monkey Arts by becoming a reliable source of fundraising for future creative endeavors. So please join us in this sacred space for textual time, and bring as many warm paying bodies as possible!
Private Guidance
For writers who have a particular project that requires a specific skill not suitable to any of the workshops on offer (or if the workshop that is appropriate is full), I am prepared to work on a 1-to-1 basis for $20 an hour.
If you are a writer seeking a more tailored service then I have twenty years experience guiding writers through a broad range of projects with an eclectic skill set (from muse-at-large to copyeditor). However, my approach is not for everyone, and the diversity of my expertise might turn out to be underdeveloped in relation to your specific need. The only practical way to proceed, if such private guidance seems apropos, is to call and arrange a first gratis 1-to-1. I ask such prospective clients to bring a strong sample of what they are writing, and to consider very clearly what kind of assistance they hope to receive. It is exciting to join a writer on such a private journey, but if the goal is not clear, and the path not pragmatic, the dynamic can grow to be deeply frustrating. Expressly, in such contexts, I focus on three things: the macro stages through which any creative project develops with attendant and appropriate deadlines; the micro temporal basics of actually getting the work written; and the professional rigors of the context in which the work will hopefully be deemed worthy of being published. As such my private guidance often becomes a mutual reality check, and the more such dialogues focus on achievable practicalities the better. If this approach seems to fit with your project, I look forward to being of service.
Remote Reflections
One additional variation is possible for private guidance – the provision of this service to distant clients using the internet and long distance phone calls. All of the above Private Guidance considerations apply, but what is particularly interesting with geographically removed clients is that the entire exchange happens via the medium we seek to hone. With free email and free international calling no additional costs are incurred, but sometimes, when I'm providing such remote reflections, I wonder if it's not the ideal way for writers to evolve their craft.
Interested distant writers are invited to make contact in the same way as my local clients, by calling to arrange a free first in-depth 1-to-1 exploratory phone session. This works best if simultaneously we connect online within the context of a dynamic email provider (google is preferred), and as with any and all initial sessions I provide for free, no obligations are implied or expected.
PayPal Payments And Donations
To Pay for any of my services online, or to make donations to The Literate Evolutions Co-operative Unlimited, please use my PayPal account email address < davidallenlambert@googlemail.com >.
Also, PayPal charges for the privilege of using their services, thus the following equation is helpful to determine the exact amount to send via PayPal to ensure the full value of the payment due is received by me:
(invoice total or
donation intended in $USD + .30¢) ÷ .971 = total to send via PayPal.
For example, for a standard $100.00 monthly fee, one would need to send $103.30 [($100.00 + .30¢) ÷ .971 = $103.29557…].
Anonymous donations are welcome and ensure that The Literate Evolutions Co-operative Unlimited continues to be a safe haven for creative writing.
Thank you for your support.
Complete Creative Résumé
DAVID ALLEN
LAMBERT
Qualifications, Professional
Appointments, Exhibitions, Performances, Publications
Presented In Reverse Chronological
Order
QUALIFICATIONS
· BA Hons in Cultural Studies, 1995 - 1998, Norwich School of Art & Design, Norwich, England, UK.
· Advanced Secretarial Certificate, 1991, Anglian
Secretarial College, Norwich, England, UK.
· High School Diploma, 1982 - 1986, Beavercreek High School, Beavercreek, Ohio, USA.
PROFESSIONAL APPOINTMENTS (Please note: list is by date of commencement, many engagements overlap.)
· Literary Atelierista
(poet ~ artist ~ guide ~ author),
Winter 2010 – present, The Literate Evolutions Co-operative Unlimited,
Flying Monkey Arts, Lowe Mill, Huntsville, Alabama, USA.
· Monthly MC, Summer 2009 – present, Monkey Speak,
Flying Monkey Arts, Lowe Mill, Huntsville, Alabama, USA.
· Creative Writing Group Guide, Winter 2009 – Autumn
2009, Huntsville – Madison County Library then Flying Monkey Arts, Lowe Mill,
Huntsville, Alabama, USA.
· Screenwriter and Script Editor, Winter – Spring 2008, DreamMaker Entertainment, Huntsville, Alabama, USA.
· Freelance Poet ~ Artist ~ Author, Autumn 2007 – Autumn 2009,
Gurley, Alabama, USA.
· Writer In Residence, Summer 2004, Welborne Arts Festival, Welborne, Norfolk, England, UK.
· Creative Writing Atelierista, Winter 2004 – Summer 2005, Earlham Early Years Centre, Norwich, England, UK.
· Creative Writing Tutor, Winter – Summer 2004, Norwich Unemployed Workers Centre, Norwich, England, UK.
· Editor, Winter – Spring 2004, Escape To Reality, Norwich Mind, Norwich, England, UK. (ISBN 0-9547417-0-6.)
· Writer in Residence, Autumn 2002 – Summer 2004, The Resource Centre, Norwich Mind, Norwich, England, UK.
· Creative Writing Tutor, Autumn 2002 – Summer 2003, Sheringham Little Theatre, Sheringham, Norfolk, England, UK.
· Freelance Textual Artist and Private Creative Writing Tutor, Spring 2001 – Summer 2006, Cromer, Norfolk, England, UK.
· Website Literary Editor, 2000 – 2002, www.Ubooty.co.uk, Norwich, England, UK.
· Featured Writer, 2000 – 2002, The American Trading Post UK, Mandingo Press, Ipswich, England, UK.
· Poetry Editor, 2000 – 2001, White Noise #2, East Side Press, London, England, UK. (ISBN 0-9528127-1-5.)
· Creative Director, 1999 – 2000, www.Write-Well.com Ltd, Norwich, England, UK.
· Novel Editor, 1999 – 2000, The Literary Consultancy, London, England, UK.
· Creative Writing Tutor, 1998 – 2000, University of East Anglia, Norwich, England, UK.
· Creative Writing Tutor, 1997 – 1998, Grapevine Writers, Norwich, England, UK.
· Creative Writing Tutor, 1995 – 2000, The Octagon Writers, Norwich, England, UK.
· Creative Writing Tutor, 1994 – 2000, The Welborne Scribes, Dereham, Norfolk, England, UK.
· Creative Writing Tutor, 1992 – 1993, The Ballysally Writers’ Group, Coleraine, Northern Ireland, UK.
EXHIBITIONS
· LOVEWELL.COM’s f l o t a t i o n – exhibition of screenplay and role-play materials as one of nine artists who draw inspiration from the business and corporate environment, 21 January 2004 at Building 2030 Cambourne Business Park, Cambourne, England, UK, and 30 January to 5 March 2004 at Wysing Arts, Cambridge, England, UK, Curator: Beverley Carpenter.
· ASYLUM – feature-length screenplay and textual art installation in collaboration with Beverley Carpenter, 13-31 May 2003, SeaChange Gallery, Great Yarmouth, England, UK, Curator: Ruth Battersby.
· OUR NOVEL 24 HOUR: TAKE 2 – repeat installation for performance and interactive writing with Liam Murphy, Spring 2000, The Norwich Gallery, England, UK, Curator: Katherine Mosely.
· angel, shhhh!, picture by the river ’93, permission?, on being accused of having no other point of view – commissioned poetry to accompany sculptures, Summer 1999, Bergh Apton Sculpture Trail, Bergh Apton, Norfolk, England, UK, Sculptor: Vanessa Pooley.
· OUR NOVEL 24 HOUR – installation for performance and interactive writing with Liam Murphy, Winter 1997, The Norwich Gallery, England, UK, Curator: Linda Morris.
· mandalas in the well – mobile 35 feet in length with seven poems, Autumn 1996, Main Building Stairwell, Norwich School of Art & Design, England, UK, Tutor: Barbara Howey.
· drumming with keys – typewriter busking (public textual art installation creating commissioned pamphlets of original poems with a variety of unique Polaroids as potential photographic illustrations), Summer 1996, Bridewell Alley, Norwich, England, UK.
· Three Photomontages – first prize for two-dimensional visual art, Autumn 1988, End Of Year Open Competition, Chapman College Gallery, Orange, California, USA, Judge: Susan Ranchaitis.
PERFORMANCES
· Monkey Speak – improvised calimba (thumb piano) performance with public service announcement, 23 July 2010, WLRH, for Flying Monkey Arts, Huntsville, Alabama, USA, Host DJ: Bobby Milk.
· Chalk In Hand, Every Evil End, Deep Days Descend Despite Mortal Designs, Mistress Of The Dark – performance of published prose and new poetry, 2 July 2010, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Storyboard Workshop With Alex Hillkurtz – invited Alex Hillkurtz to visit and facilitated his workshop, 9 May 2010, Alabama Filmmakers Co-op, Flying Monkey Arts Theater, Huntsville, Alabama, USA, Co-facilitator: Don Tingle.
· Shadow Sweet Dream; Burn To Fly; Ode To The Firemen; Drinking From Her Well – performance of new prose and poetry, 7 May 2010, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Talking About Art – 45 minute interview as writer and atelierista, 7 May 2010, WLRH, for The Literate Evolutions Co-operative Unlimited, Huntsville, Alabama, USA, Host DJ: Beth Norwood.
· Monkey Speak – improvised calimba (thumb piano) performance with public service announcement, 23 April 2010, WLRH, for Flying Monkey Arts, Huntsville, Alabama, USA, Host DJ: Bobby Milk.
· Party-boyed; Black Cloud, Grey Rain, Gold Light; Mountain Ken; This Mouth Aflame Inhales The Wind – performance of new prose and poetry, 2 April 2010, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Musing Text-ual Poetics, Taboo Relations,Poem In The Name Of Magick’s Musing Love, Phoenix Amuses Himself – performance of new poetry, 5 March 2010, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Quotidian Phoenix Ignites Again, Fiery Sex With Everything, Phoenix At Sea, Phoenix Fragments, Unfolding Wings Winds Embracing – performance of new sonnet sequence, 5 February 2010, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Monkey Speak – improvised calimba (thumb piano) performance with public service announcement, 22 January 2010, WLRH, for Flying Monkey Arts, Huntsville, Alabama, USA, Host DJ: Bill Wells.
· January Rain, Quotidian Phoenix Ignites Again, Fiery Sex With Everything – performance of emergent short story and new sonnet sequence, 1 January 2010, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Lightning In My Holler, I Am The Drum That Calls The Fire – performance of emergent life writing and newly edited poetry, 4 December 2009, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· When Dreams Share A Life; Ah, Says Amy; Alley Of The Damned; Dream Distraction – performance of published life writing and newly edited short stories, 6 November 2009, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· I Am The Drum That Calls The Fire – performance of new poetry, 2 October 2009, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· A Night Of Spectacular Wonder ~ The Drum That Calls The Fire – intuitive percussion for Moon Folk after-show fire-performers, 20 September 2009, Flying Monkey Arts Center, Huntsville, Alabama, USA, Host: Clementine … Anytime! (c/o The Posey Peep Show).
· The Quiet End Of Love, Sapphic Song, Text Blessed, Fridge Magnet Safe Cracking, Flawed Fruition – performance of new and edited poetry, 7 August 2009, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Collaborative Screen Writing Workshop – joint screenwriting theory and collaborative practice workshop, 26 July 2009, Alabama Filmmakers Co-op, Flying Monkey Arts Theater, Huntsville, Alabama, USA, Co-facilitator: Don Tingle.
· Opening Childrens’ Voices – introductory creative writing workshop of own design for youths, 12 July 2009, Huntsville Madison County Public Library, Huntsville, Alabama, USA, Co-ordinator: Rebecca Turner, Head Of Youth Services.
· Intertextual Wasp, Flawed Fruition – prose performance of both previously published and new material, 5 July 2009, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· 49 Maxims and Inky Monkeys – poetry performance as inaugural MC launching call for submissions for self-published literary journal, 5 June 2009, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Open Studio Warming Party – official opening and “thank you” to the space itself for The Literate Evolutions Co-operative Unlimited, 5 June 2009, Studio 254, Flying Monkey Arts, Huntsville, Alabama, USA, Host: myself.
· Fractal Fairytales – screenwriting essentials workshop of own design, 24 May 2009, for Alabama Filmmakers Co-op, at Flying Monkey Arts, Huntsville, Alabama, USA, Host: Don Tingle.
· Open Voices – introductory creative writing workshop of own design, 16 May 2009 (concurrently with artist’s market), Flying Monkey Arts, Huntsville, Alabama, USA, Host: Anna-Sue Courtney.
· Monkey Speak – improvised calimba (thumb piano) performance with public service announcement, 20 May 2009, WLRH, for Flying Monkey Arts, Huntsville, Alabama, USA, Host DJ: Bill Wells.
· Fractal Fairytales – public service announcement for screen writing workshop of own design, 5 May 2009, WLRH, for Alabama Filmmakers Co-op, c/o Flying Monkey Arts, Huntsville, Alabama, USA, Host DJ: Bill Wells.
· Open Voices – public service announcement for creative writing workshop of own design, 24 April 2009, WLRH, for Flying Monkey Arts, Huntsville, Alabama, USA, Host DJ: Bill Wells.
· Monkey Speak – improvised calimba (thumb piano) performance with public service announcement, 14 April 2009, WLRH, for Flying Monkey Arts, Huntsville, Alabama, USA, Host DJ: Bill Wells.
· Sonnet Of Unavailability; On The Dawn Of Kissing; Song Of Bell And Bear; Winter Twilight Walking; Delving And Indulging The Stillness Of Welcome; E’er-To-Well; Silent Howl, Softly Held; In Truth My Departure, Not My Destination – poetry performance, 3 April 2009, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, No Host: Open Mic.
· Breaking And Enterin;, Song For Annie; E’er-To-Well; Bloodlines; Question, Full Lady Moon?; Drinking From Her Well – poetry performance, 6 March 2009, Monkey Speak, Flying Monkey Arts, Huntsville, Alabama, USA, No Host: Open Mic.
· Innovation Stage, Rhythm and Voice – poetry performance with intuitive percussion, 8 September 2007, 10th Annual AACW Blues/Jazz Music Fest, Antioch Amphitheatre, Antioch College, Yellow Springs, Ohio, USA, Host: Karen Patterson.
· Fractal Fairytales Return Home – story-crafting workshop (presented in the class where the idea for a combination role-playing and writing game was conceived twenty years prior), 30 April 2007, Creative Writing Class, Beavercreek High School, Beavercreek, Ohio, USA, Host Teacher: Scott Revis.
· Writer Returns To High School – reading and discussion (twenty years after graduation I returned to share my published work in my very first creative writing class with my first writing teacher), 25 January 2007, Creative Writing Class, Beavercreek High School, Beavercreek, Ohio, USA, Host Teacher: Scott Revis.
· Poet In A Teepee – four performances (poetry for children, poetry for adults, stories for children, stories for adults) of own (75%) and others’ (25%) work, 1 May 2006, Magical Mayday Fair, Blickling Community Centre (The Old School), Norfolk, England, UK, Facilitator: Melanie Prytz.
· Charles Wells: The Story – workshop playtests of my screenplay-generating role-playing game Life Dreams, 19 April 2006, Charles Wells Brewery, Bedford, England, UK, Facilitator: Artist in Residence Beverley Carpenter.
· Grandfather’s blessing – impromptu poetry performance during receipt of commendation for best new group as co-tutor with Louise Shaw for the EEYC Writers, 25 May 2005, Norwich Learning City Annual Learning Awards, Noverre Suite, The Assembly House, Norwich, England, Master of Ceremonies: Stephen Dunstan. (Guests of Honour: Lord Mayor of Norwich Councillor Michael Banham, Lord Mayoress Carolyn Fenn, and Norwich City Player Peter Mendham.)
· Poetry Lottery – aleatoric poetry performance, 5 April 2005, Barfly Bohemia, Norwich Arts Centre, Norwich, England, UK, Host: Nick Lescall.
· Escape To Reality – reading and book signing, 9 September 2004, Ottakar’s Bookshop, Norwich, England, UK, Master of Ceremonies: Chayley Dunn.
· Escape To Reality – reading and book signing, 22 August 2004, The Pavilion Theatre Foyer Café Bar, Cromer Pier, Cromer, England, UK, Host: Matthew c/o Openwide International.
· Escape To Reality – readings and local launch, 23 June 2004, simultaneously on BBC Radio Norfolk and at The Main Street Café, Cromer, England, UK, with Annie Clode and Mike Hillier c/o Norwich Mind Resource Centre and Anita Mia c/o The BBC.
· Poetry By Numbers – aleatoric poetry performance for charity, 20 December 2003, Boho’s, Suffolk winter gathering and bohemian fundraiser, Butley Priory, England, UK, Host: Francis Shelley.
· Love Well 2030 pt 2 – performance workshop utilizing role-playing techniques to generate screenplay, 10 December 2003, Blender 2, multi-media event, Cambourne, England, UK, c/o Cambourne’s Artist in Residence: Beverley Carpenter.
· Defending “The Bridge of Khazad-dûm” – performance and spirited sponsoring of J. R. R. Tolkien’s The Lord of the Rings, 7 December 2003, The Big Read Top 21, The Forum, Norwich, England, UK, Host: BBC Norfolk.
· Love Well 2030 – performance workshop utilizing role-playing techniques to generate screenplay, 29 October 2003, Blender, multi-media event, Cambourne, England, UK, c/o Cambourne’s Artist in Residence: Beverley Carpenter.
· Fractal Fairytales Revisited – story-crafting workshop exploring elements of narrative, 9 March 2003, The Sheringham Little Theatre, Sheringham, England, UK, Commissioned by Debbie Thompson, Arts Development Manager.
· Uncle Skip – poem written for and performed at my uncle’s funeral in Gallipolis, Ohio, USA 12 December 2002, at the request of his only child and my cousin, Lea Light.
· Telling Our Stories – inaugural performance as coordinator for a new Writers’ Network, 15 November 2002, The Sheringham Little Theatre, Sheringham, England, UK, Host: Sheila Goldsmith.
· elastic press street launch – street reading of The Virtual Menagerie inaugurating Elastic Press as publisher of short story anthologies, 9 November 2002, Norwich, England, UK, Author and Publisher: Andrew Hook. (Documented online @ www.elasticpress.com/archive.htm.)
· big up our DJ – poem commissioned for David Joseph Pinney’s naming ceremony and performed 29 September 2002, Octagon Unitarian Chapel, Norwich, England, UK, Minister: Charles VanDenBroeder.
· Tribal Story Survival – storytelling and mask-making workshop, 20-21 August 2002, Wysing Arts, Cambridge, England, UK, Coordinator: Sarah James.
· Cocoons And Wings – Reggio style workshops, 14-15 May 2002 at Fields Nursery, and 18 May 2002 at Wysing Arts, both Cambridge, England, UK, Educational Facilitator: Melanie Tong.
· Nightmares And Dreams – writing workshops with Hertford County children in care resulting in performance for county counsellors, 21-28 March 2002, Hatfield Community Arts Centre, Hertford, England, UK, Coordinated by Felicity Evans.
· 99 lines to sing our kind – poetry performance, 12 February 2002, T.V.P., The Norwich Arts Centre, Norwich, England, UK, Host: Barbara Watts. (Documented online @ www.uboooty.co.uk/davetvp.html.)
· Story of Self in Voice and Text – series of family friendly workshops exploring textual art, January 2002, Wysing Arts, Cambridge, England, UK, Coordinated by Educational Facilitator Melanie Tong.
· V Jamming – video and audio collaboration with profoundly disabled children, November 2001, Windmill School, Cambridge, England, UK, Coordinated by Cross Border Arts c/o Lorraine Von Gehlen.
· Kore Stories – Apple Day writing workshop, October 2001, The Greenhouse Trust, Norwich, England, UK, Coordinated by Zina Zelter.
· let’s write Barry a “White Sound” open reply, Boston tea for British party – poetry performance, 11 September 2001, T.V.P., The Norwich Arts Centre, Norwich, England, UK, Host: Barbara Watts. (Documented online @ www.uboooty.co.uk /davetvp.html.)
· Fractal Fairytales – digital-writing collaborative-screenplay workshop, November 2000, Signals Media Arts, Colchester, England, UK, Commissioned by Malcom Burgess.
· Café Writers Inaugural Host – poetry performance as co-founder of new venue, November 2000, King of Hearts, Norwich, England, UK, Co-host: Tom Corbett.
· Big Wave Dave – two hour set as guest US American DJ, November 2000, Norwich International Club, Frazer Hall, Norwich, England, UK, Host: Bridget West.
· Orphic Sonnets, Swinging Stars – poetry performances on trains, September 2000, Norfolk and Norwich Festival, Poetry In Motion, Anglia Railways, Norfolk, England, UK, Coordinator: Ester Morgan.
· Janus~Jason – Hiroshima Day writing workshop, September 2000, The Greenhouse Trust, Norwich, England, UK, c/o Norwich CND, Organizer: Davida Higgin.
· burn to fly; Multiple’s kitchen familiars; Boston tea for British party; Larkin’s curse; faith’s return; – poetry performance, May 2000, The Boston Tea Party, Exeter, England, UK, Host: M J Boden.
· Intertextual Wasp – reading of published prose, Spring 2000, The Ten Bells, Norwich, England, UK, Host: Andy Williams.
· N.O.V.E.L S.iN.N.E.R.S. – first public playtest of audience-interactive screenplay-generating role-playing game, June 1999, Möbius Script Literature Festival, Norwich Arts Centre, Norwich, England, UK, Coordinator: Jason Raper.
· Trouble In The Making – reading of autobiographical and experimental prose, Autumn 1998, UEA Readings at The York Tavern, Norwich, England, UK, Hosts: Paul Magrs and Julia Bell.
· prologue, chronologue I, chronologue II, epilogue – poetry performance, June 1998, T.V.P., Norwich Arts Centre, Norwich, England, UK, Host: Jason Raper.
· Forever Foxhills – poetry performance, Winter 1998, Sheringham Literary Festival, Sheringham Little Theatre, Sheringham, England, UK.
· writing the novel : into the wormhole; stir the well; this is the drum that brings good spirit; for Pippa; another rude poem; question, full lady moon?; jazz in the hallway – poetry performance, T.V.P., February 1998, Norwich Arts Centre, Norwich, England, UK, Host: Jason Raper.
· Nightwinds – new-age and jazz-fusion radio show of own conception, dj and programmer midnight Saturdays to 3 am Sundays, Winter Spring Autumn semesters 1987 and Winter Spring semesters 1988, KNAB 93.1 FM Cable, Chapman College, Orange, California, USA, Advisor: Walter Holland.
· Don’t You Forget About Me – prize-winning speech, late Spring 1985, Ohio Association of Student Councils, State Representative Elections for 1985 – 1986 academic year, Cincinatti, Ohio, USA.
PUBLICATIONS
· David Allen Lambert – interview, 31 May 2010, Memento Vivo, #9, single 3” x 5” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Guest Editor: Kelsey Millwood.
· Shadow Sweet Dream – short story, 13 April 2010, Memento Vivo, #8, single 3” x 5” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Editor: myself.
· Poem In The Name Of Magick’s Musing Love – poem, 22 February 2010, Memento Vivo, #7, single 3” x 5” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Editor: myself.
· Phoenix At Sea – poem, 7 January 2010, Memento Vivo, #6, single 3” x 5” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Editor: myself.
· When Dreams Share A Life – life writing / short story, 26 November 2009, Memento Vivo, #5, single 3” x 5” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Editor: myself.
· Mezler – short story, 24 October 2009, Memento Vivo, #4, single 3” x 5” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Editor: myself.
· I Am The Drum That Calls The Fire – poem, 21 September 2009, Memento Vivo, #3, single 5” x 3” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Editor: myself.
· Fridge Magnet Safe Cracking – poem, 4 August 2009, Memento Vivo, #2, single 3” x 5” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Editor: myself.
· Flawed Fruition – prose poem, 8 July 2009, Memento Vivo, #1, single 3” x 5” notecards as short-run self-publications, via door of Studio 254, The Literate Evolutions Co-operative Unlimited, at Flying Monkey Arts; Editor: myself.
· www.flyingmonkeyarts.org/TLECU – creative writing website (the one you’re reading right now J), 1 June 2009, Flying Monkey Arts, Lowe Mill Arts & Entertainment, Editor: Andy Vaughn.
· For My Reader, From Your Poet, With Real Love – poem, 16 September 2007, The Front Page, Heel Press, Editor: by committee. (Published online @ http://www.heelpress.com/revisions/show/3999?sift=front_page.)
· Conversations – two dialogues and numerous photographs of textual art included in residency retrospective, December 2005, Arts & Business New Partners, Glasshouse, Author Editor and Artist in Residence: Beverley Carpenter.
· Fire In The Eyes Of A Child – short animation screenplay, commissioned by Koon Lin for her MA Fine Art Animation degree project; screenings 6 – 10 September 2005, The Norwich Gallery, Norwich School of Art & Design; Head of Animation: Suzie Hanna.
· Goblin In The Bedroom – short animation screenplay, commissioned by Katy Davis for her BA Fine Art Animation degree project; first public screening 29 June 2005, The Picture House, Soho, London; private view 18 June 2005, The Lecture Theatre, Norwich School of Art & Design; Head of Animation: Suzie Hanna.
· Recovering From Addiction: Beth’s Story – educational article with interview printed simultaneously in three local magazines: 4 June 2005, The Crab Line, Issue 071, Editor: Philip Keddell, (ISSN 1478-6001); The Aylsham and District Post; and The Sheringham Independent.
· I Got Off The Train Bound For Hell – personal reflection on addiction, April 2005, SHARE The Journal of Alcoholics Anonymous in England and Wales, Vol.34 No. 392, Editor: by committee.
· one love’s last poem – poem, December 2004, AWEN, Issue 31, Editor: DJ Tyrer.
· on blind lane – poem, Winter 2004, BARD, Issue 30, Editor: DJ Tyrer.
· Writing & Role-Playing Games @ Hero’s – article announcing collaborative project with local charity Action 4 Youth, 4 September 2004, The Crab Line, Issue 052, Editor: Philip Keddell. (ISSN 1478-6001.)
· Escape To Reality – 152pp collaborative book comprising five life stories of mental illness and real recovery, guest foreword by Trisha Goddard, May 2004, Norwich Mind, Project Supervisor: Chayley Dunn. (ISBN 0-9547417-0-6.)
· papa clay – poem, April 2004, Aireings Publications, Aireings, Issue 44, Editors: Lesley Quayle and Linda Marshall. (ISSN 0261-0124.)
· when you laughed – poem, April 2004, Atlantean Publishing, The Monomyth Supplement, Issue 13, Editor: DJ Tyrer.
· we agreed not to tell her – poem, April 2004, Acorn, Editor: Beth Rudkin.
· Alsiso Questions Dusk – interview by correspondence, Spring 2004, Dusk Site Editor: Neil Ayres. (Published online @ www.dusksite.ukgo.com/article.php?99.0.)
· Turtle Does As Turtle Doves – short story, Spring 2004, Bullock Press, The Circle Squared, Issue 2, Editor: John Barker. (ISSN 1742-3244.)
· Alsiso – short story emerging from own role-playing game, January 2004, Elastic Press, Alsiso, Editor: Andrew Hook. (ISBN 0-9543747-5-4.)
· you are the casualty of the cross I bear – poem with brief literary résumé and photo as Café Writers first guest judge of monthly poetry contest, Web Editor: Louise Shaw. (Documented online @ www.cafewriters.org.uk.)
· moment of night – poem, August 2003, Acorn, Editor: Beth Rudkin.
· wish star ships set this sigil free – poem, Summer 2003, Poetry now, The Way We Feel, Editor: Heather Killingray.
· Alley of the Damned – short story, Summer 2003, Recovery Magazine, Issue 6, Editor: Paul Lockwood.
· you are the casualty of the cross I bear – poem, May 2003, Sixties Press, Leeds Poetry Weekly, Issue 15/16, Editor: Barry Tebb.
· sing the mystery of unconsummated fidelity; 99 lines to sing our kind; Sanctuary, Flat 5 – poems, Easter 2003, Sixties Press, Leeds Poetry Weekly, Issue 12/13, Editor: Barry Tebb.
· Every
Evil End – short story, Spring 2003, Faster Than Life, Issue 3, Editor:
Simon Dessloch.
· of course we are in love, 2001~4~17 @ Bernard Mathews North Site Tomb – poems reprinted, Spring 2003, Sixties Press Catalogue 2003, Editor: Barry Tebb.
· Dream, Socrates … Dream – essay, Winter 2003, Poetry Express, Issue 16, Editor: James Ferguson.
· Mum’s Boobies – commissioned screenplay for video film, December 2002, funded by GFS Young Women’s Project London, made with Baby Buddies teenage mother’s support group Great Yarmouth, national distribution in Sure Start regeneration areas, Producer and Director: Beverley Carpenter.
· Workshopping Alea’s Well – article as overview of my consensual teaching method for creative writing exploration, Autumn 2002, Writing in Education, Issue 27, Editor: Debjani Chatterjee. (ISSN 1361-8539.)
· the planets – series of seven poems, Autumn 2002, The Voice of Isanity, Issue 2, Editor: John Mawer
· sitting with Brenda, what friction holds the hub – poems, Autumn 2002, Sixties Press, Literature And Psychoanalysis, Issue 1, Editor: Barry Tebb.
· walking on pins and needles, diverting currents, silk, naked before the winds of change, study for maternity – poems, Summer 2002, Solo Survivors, Issue 2, Editor: John Alan Hirst. (ISSN 1476-9131.)
· Sulk; On The Quay; Gale Force Wins; Hold Your Brow To Mine; Glancing Blow; The Muscleman and The Contortionist; Santa’s Gift; Puffer Pause; Canvassing Rage; Chalk in Hand; Dream Distraction; Hold The Line; Darkwater Gift; Journey; Zoe and Joe; Ah, Says Amy – 16 commissioned short stories, Mandingo Press, The American Trading Post UK, various Issues from 41 Volume 3 Friday 15 September 2000 through Issue 77 Volume 3 Friday 7 June 2002, Editor: Marvin Tillman.
· Letter(s) from England 1-14 c/o Anonymous Fox – 14 instalments of commissioned anonymous autobiographical column, Mandingo Press, The American Trading Post UK, various Issues from 41 Volume 3 Friday 15 Septedmber 2000 through Issue 77 Volume 3 Friday 7 June 2002, Editor: Marvin Tillman.
· gotta fix that gate, Neptune, Papa Clay – poems, April 2002, Page 84 Press, Not Perfect – The Watery Issue – PCM 12, Edited by Pef Productions. (Documented online @ www.page84.4t.com/newguest.htm.)
· North Norfolk Writer Returns – literary profile, Issue #132, October 2001, The Cromer Times, Editor: unknown.
· let’s write Barry a “White Sound” open reply, Boston tea for British party – poems, 11 September 2001, The Norwich Arts Centre, T.V.P. Savouries, Editor: Barbara Watts.
· drinking from her well – poem, Autumn 2001, Poetry Monthly Press, Muse: An Anthology, Editor: Martin Holroyd. (ISBN 1-903031-05-2.)
· question, full lady moon? – poem (3rd printing), Issue No 7528, 11 August 2001, Essex Hall Publications, The Inquirer: Unitarian and Free Christian Paper (1842), Editor: Keith Gilley.
· dancing with the word – e-text and audio book of poetry, Summer 2001, Ubooty.co.uk, Webmaster, Colin Hall. (Published online @ www.ubooty.co.uk/dancing.html.)
· drinking from her well, Larkin’s curse, British tea for Boston party, let’s write Barry a “White Sound” open reply, 2001~4~17 @ Bernard Mathews North Site Tomb, of course we are in love, she softens our fibres with tears – poems, Spring 2001, Sixties Press, 7 Unquiet Shouters, Editor: Barry Tebb.
· poems for the Octagon – pamphlet of poetry exploring spiritual themes, Spring 2001, Octagon Unitarian Chapel Press, Editor: Rod Voegeli.
· ars poetica angelica ad infinitum – poem, Easter 2001, Sixties Press, Poetry Now Newsletter, Editor: Barry Tebb.
· micro soft windows v 3.1 – true story as reflective prose, December 2000, Object Books, things not worth keeping – THE MILLENIUM COLLECTION, Editors: cris cheek and Kirsten Lavers. (ISBN 0-9529311-2-5.)
· let’s write Barry a “White Sound” open reply, Multiple’s kitchen familiars – poems, December 2000, Sixties Press, Poetry Now Newsletter, Editor: Barry Tebb.
· Eden Falls – collaborative screenplay emerging out of digital-writing workshop, November 2000, Signals Media Arts Colchester, Commissioned by Malcom Burgess. (Published online: www.ubooty.co.uk/edenfalls.html.)
· stars on a swing – poem on posters, September 2000, Norfolk and Norwich Festival, Poetry In Motion, Anglia Railways, Coordinator: Ester Morgan.
· Janus~Jason – Hiroshima Day article with short fiction, September 2000, Norwich CND, De-fence, Editor: Davida Higgin.
· sin – poem, September 2000, Octagon Unitarian Chapel, Norfolk Unitarian News, Editor: Rod Voegeli.
· origami whale, stars on a swing, faith’s return – poems, Autumn 2000, Pen&inc, University of East Anglia, Reactions (Volume 1 of The Poetry Lab), Editor: Ester Morgan. (ISBN 1-902913-06-X.)
· we love in reflection – poem, March 2000, Octagon Unitarian Chapel, Norfolk Unitarian News, Editor: Rev Charles VanDenBroeder.
· Intertextual Wasp – short story, Spring 2000, East Side Press, White Noise, Editor: Jamie Harris. (ISBN 0-9538127-0-7.)
· shhhh!, picture by the river ’93, permission?, no, sonnet redemption – poems, Spring 2000, East Side Press, White Noise, Editor: Jamie Harris. (ISBN 0-9538127-0-7.)
· question, full lady moon? and Discussing Creative Writing – poem with article, November 1999, Octagon Unitarian Chapel, Norfolk Unitarian News, Editor: Rev Charles VanDenBroeder.
· thanksgiving memories – poem, October 1999, Octagon Unitarian Chapel, Norfolk Unitarian News, Editor: Rev Charles VanDenBroeder.
· after seeing life is beautiful – poem, September 1999, Octagon Unitarian Chapel, Norfolk Unitarian News, Editor: Rev Charles VanDenBroeder.
· David Allen Lambert – autobiographical authorial precis, 1999, University of East Anglia Press, Editor: Julia Bell. (Published online @ www.uea.ac.uk/~p230/aboutus/aboutus.html.)
· intro, at night, floating dogs, quiet and alone, close up, family snapshot, slow water – photo-poems in intuitive script with text translations, 1999, University of East Anglia Press, Intertext Website, Editor: Bill Bigge. (Published online @ www.uea.ac.uk/eas/centres/intertext/art/dalart.html.)
· Sample of Prose from Ripening Trouble, 1999, The Rapid Publishing Co, Going Public Getting Published, Editors: Julia Bell, Bill Bigge, and Julian p Jackson.
· Ripening Trouble – novella-length book of life-writing, 1999, University of East Anglia Press, Text 7, Editor: Ashley Stokes. (Promoted online @ www.skoob.co.uk/text07.html and www.uea.ac.uk/~p230/bks/texts.htm.)
· jazz on the boom box, old earth’s wrinkles fade, silent summer stream, Monica is gone – haiku, 1999, The Rapid Publishing Co, T.V.P. Savoury Snacks, Editors: Bill Bigge and Julian p Jackson.
· Textual Self Portrait, 1998, Norwich School of Art & Design, Cultural Studies Degree Catalogue, Editor: Alexis Allan.
· prologue, chronologue I, chronologue II, epilogue – poems, June 1998, The Rapid Publishing Co, T.V.P. Savouries, Editors: Bill Bigge and Julian p Jackson.
· Darkwater Gift – short story, 1998, Mattishall Press, Miscellanea, Editor: Frank Hunt.
· writing the novel : into the wormhole; stir the well; this is the drum that brings good spirit; for Pippa; another rude poem; question, full lady moon?; jazz in the hallway – poems, February 1998, The Rapid Publishing Co. T.V.P. Savouries, Editors: Bill Bigge and Julian p Jackson.
· ancient lake, titled, gotta fix that gate, limerick of return – digital collage of four poems with eleven photographs, Spring 1998, Aztec Culture Artists Gallery, Web Curator: Will Smith. (Published online @ www.aztec-culture.co.uk/dlambert.html.)
· ancient lake, titled, gotta fix that gate, limerick of return – poems, 1997, Starwheel Press, Birdsuit, Editor: George Szirtes. (ISBN 1-872482-24-4.)
· Metasphere – collaborative hypertext, 1997, Eastern Counties News, Web Editor: Phil Shaw. (Published online @ www.ecn.co.uk/Metasphere.)
· father, stars on a swing – poems, 1995, North Norfolk Writers anthology, Listening for the Silence, Editors: Sue Fincham and Heather Newby.
· Dancing Fictions – article on role-playing games in writing education, 1995, Hogshead Publishing, interactive fantasy 3, Editor: Andrew Rilstone. (ISSN 1356-6520.)
· origami whale – poem, 1994, The Ballysally Writers’ Group anthology, The Feather, Editors: Deirdre Rusling and Diana Guy.
· A Poem for Myself – poem, March 1993, Angus College, Scrievers and Makars, Editors: Barbara Vazana and Catharina Dessain.
· Ferret Listens, Evening Return – short stories, 1992, The Flowerfield Arts Centre Writers’ Workshop anthology, The Stirring Spoon, Editor: Chris Head.
· Lady’s Bay Shag, Spiral Sphere – poems, 1992, University of Ulster at Coleraine Press, Triangle, Editor: Archie Markham.
· Due June 2nd – sonnet, August 1991, Angus College, Scrievers and Makars, Editors: Mary McIntosh and Ron Kear.
· Fair Play? – new games training article, 1991, Dundee One World Centre, One World?, Editor: Rev Colin Wicker.
· A Battle Lost, Dawn, Tears, Dreams – poems, 1986, Beavercreek High School anthology, The Paper Garden, Editors: Andrea Phillips and Cherie Carnes.